8 best instant cameras for nostalgic snapping on the go

It’s been almost a decade since Fujifilm last released a wide-film instant camera, but the wait is finally over. Earlier this year, the brand launched the Instax wide 400 – a follow-up to the spectacular 300. While it’s not a big jump over the former, it adds a self-timer and a close-focus lens, and is still a great little snapper.

While it’s significantly bigger and bulkier than Instax’s other analogue offerings, the wide landscape prints you get are simply divine. They’re double the size of Instax mini prints, and the new lens can focus closer than the previous 300, making it feel like a proper camera from the 1970s. Great for group shots, landscape shots and portrait photography, we had loads of fun using this camera.

Images taken in daylight were nice and bright, with that retro sheen in the print and the twist lens helping us focus appropriately. There’s a bright flash, too – though, we tended to keep this off, because it did seem to overexpose faces in both low and mixed lighting. It seemed to perform best in overcast lighting, so keep that in mind.

There aren’t many features – it’s a simple, no-frills click-and-shoot instant camera that produces really good shots. This is the best in Instax’s range, simply because of the wide pictures.

Where to buy film:

Instax wide film: £16.99, Amazon.co.uk

Our favourite entry-level snapper is the Fujifilm Instax Mini 12. You don’t need to fuss about with a bunch of buttons or settings, you just point and shoot, and your photo instantly prints out from the top, developing within five minutes. It’s a fun little camera, perfect for teens and families to take on holidays as well as to gigs and parties. The prints are a little small (not much larger than a passport photo), but they’ll still make good memories. There’s even a selfie mode and a selfie mirror to help ensure you’re in the shot.

There were a few issues we had with the mini 12, though. It has a fixed focus, and the viewfinder isn’t where the lens is, so, it takes a little bit of experimenting to get your pictures just right. You might find yourself taking photos that are off-centre, and if your subject isn’t in the focus field, they’ll be blurry. Secondly, the mini 12 has an always-on flash, meaning your photos can turn out overexposed (more so than the wide 400). Over time, we’ve learnt to cover the flash either partially or fully, to get the best results.

Where to buy film:

Instax mini film: £14.99, Amazon.co.uk

Polaroid might have lost a bit of its sparkle since Instax zoomed onto the scene but no one can deny the charm of a classic Polaroid print. With the Polaroid now+, we’ve never had a more fun, customisable experience when snapping instant pictures. Unlike analogue instant cameras, the now+ is a hybrid digital camera that connects to the Polaroid app.

As well as being an all-round great instant camera, the app let us adjust the aperture settings, turn on a light painting feature and double exposure photos – an absolute game changer. While we found that, like most instant cameras, it tends to overexpose in bright light, it was still really fun to use. The camera also comes with five lens filters to help create the perfect vintage effect. We were particularly fond of the red vignette filter. Polaroid film, however, is expensive, so keep that in mind.

Where to buy film:

Polaroid i-type film: £27.99, Amazon.co.uk

This is the best-looking instant camera Fujifilm makes, with a great retro leather exterior and grippier design that takes us back to 1980s cinema. It even includes a handy neck strap, making it easy to carry around. It’s the instant camera that straddles the line between the compact mini 12 and the bulkier wide 400, printing slightly larger (square-shaped) prints than the mini 12.

Easy to use and set up out of the box, Instax’s square film looks great, and the SQ40 is simple to operate, with well-positioned controls and an automatic sensor that we found did well in measuring the light and its exposure settings, though, watch out for bright light and dim light (you’ll still get heavily overexposed shots). There are two focus ranges, so it’s not super customisable but it was really fun to use.

Where to buy film:

Instax square film: £8.99, Amazon.co.uk

This is the tiniest camera we’ve ever used. It’s the size of a Tamagotchi, fitting inside our clenched fist. It’s not a typical instant camera in the traditional sense. Rather, it’s a tiny digital shooter that lets you place the camera in different spots, view the lens through the smartphone app, then edit it as you like. Because it’s so small, it doesn’t print its own pictures. You have to connect it (via Bluetooth) to the mini link 2 printer (£104.99, Amazon.co.uk), which prints Instax mini film pictures of everything you’ve taken.

It’s a weird little camera – more of a novelty than anything. Photos can be taken in intervals or with a timer, and you can choose from rich or natural quality modes. The Pal features 18 different effects you can add in the app, including monochromatic and sepia, before printing. The pictures came out well, though, they suffer from the same overexposure issues on other Instax cameras, but we did like how portable the camera was, and that it could store our photos both internally and on the app. We just wish it was a little cheaper – buying the camera, printer and film can get pricey.

Where to buy film:

Instax mini film: £14.99, Amazon.co.uk

For that classic Polaroid print and timeless Polaroid design, the Polaroid Now is the best vintage-style instant camera. Yes, it’s awkward to hold, with its angular shape, but it’ll transport you back in time. The flash turns on automatically when you switch on the camera, but you can toggle it off if it’s bright outside.

Like the Instax models, it’s sometimes hard to frame a subject, because the viewfinder doesn’t line up with what the camera captures. After a bit of practice, however, we learned how to position ourselves and our subjects. Overall, it’s easy to use but fairly basic – you just point, half-click to focus and full click to take the picture. Auto-focus works great – it’s a lot more convenient than lining up your subject with the focus hole, meaning the whole picture is in focus, rather than the centre figure.

We found Polaroid’s prints were quite washed out, compared with Instax’s, which can give a nice vintage feel, if you like that kind of thing. Just watch out for over- and underexposing – it takes some experimenting, just like all other instant cameras.

Where to buy film:

Polaroid i-type film: £27.99, Amazon.co.uk

Think of the Polaroid Go as the baby version of the Polaroid Now, or Polaroid’s version of the Instax mini. It’s much easier to hold in your hand, while keeping that classic angular Polaroid design. Easy to use, you just double click the flash button to enable double exposure, while holding the button turns on the timer.

It produced surprisingly good credit-card-sized pictures in good lighting conditions, although, we found it struggled in low light. There’s no auto-focus feature on the Go, but there is a similar aperture adjustment setting that does a decent job with exposure. Again, prints are fairly washed-out and muted, giving a pretty nice vintage effect. You won’t get those big classic Polaroid squares but this is a great alternative to the Instax mini.

Where to buy film:

Polaroid Go instant film: £18.99, Amazon.co.uk 

If you hate the idea of having to regularly buy more film, you’re going to love the Kodak Step Touch. It’s a two-in-one instant camera and printer that uses zero-ink technology. That means your photos come out fully dry and fully printed – no waiting around for it to develop (although, to be fair, that is part of the fun). You just need to load it with paper. There’s a touch screen display on the rear, which took us through the steps when it came to snapping photos and let us review our pictures before printing them.

You can also connect it to the Kodak Step app, so, you can edit your photos and even record and send videos straight to your phone. While we loved the little pop-up flash and the novelty of the device, the prints aren’t all that. The charm about film is your images will have that specific vintage aesthetic. Zero-ink tech just meant our pictures came out looking like we’d printed photos off our computer onto glossy paper. It’s fun but it won’t give you that retro effect. Worse, it’s not even the cheapest model.