Art Photography Now, By Susan Bright

Comments

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

This expanded edition tackles art's most fashionable aspect on hazy taxonomic principles. The protean transformations of Cindy Sherman and Gillian Wearing appear as Portraits but the icy portraits of Kate Moss by Mert & Marcus are filed under Fashion.

Richard Misrach's shots of tiny figures in vast seas appear in Landcapes but Nadya Hatakeyama's shimmering reflections of rivers crop up in City. Pretty much every page contains an arresting image, but even art photography captures a moment in time. New York's derelict High Line track has been gentrified since Joel Sternfield shot it in 2001. Sam Taylor-Wood has moved on from midair suspension to feature films.

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Stay up to date with notifications from The Independent

Thank you for registering

Art Photography Now, By Susan Bright

Bookmark popover

Join our commenting forum

Thank you for registering